Fall Exhibitions On View Through February 9, 2020

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The Trustees of the Visual Arts Center of New Jersey cordially invite you to an opening reception for our fall exhibitions Painted Threads & Nadia Haji Omar: Ascension, on Friday, September 27, 7:30–9 PM. This event is free and open to the public. Click here to register.

Samantha Bittman, Untitled, 2019, acrylic on hand-woven textile,
20 x 16 inches, courtesy of the artist

Painted Threads explores the impact of weaving on contemporary art. Participating artists include Mark Barrow and Sarah Parke, Samantha Bittman, Crystal Gregory, Hildur Ásgeirsdóttir Jónsson, Victoria Manganiello and Julian Goldman, Desire Rebecca Moheb-Zandi, and Oriane Stender. These artists view the loom as a place for experimentation and discovery and a means for creating unique hybridized works. Some of them paint during the process of weaving, integrating pigment directly into the warp threads. Others weave textiles that become supports for paintings, and several others utilize weaving as the starting point for mixed-media wall assemblages that hover between two and three dimensions. Their unconventional approaches invite viewers to consider the interconnectivity of weaving, painting, and sculpture while challenging the traditional hierarchies of fine art and craft.

The exhibition includes several site-specific works that identify and explore a conceptual link to the history of computers and digital technology. Victoria Manganiello and Julian Goldman will display their ongoing project, Computer 1.0—an interactive work made from woven cloth and polymer tubing. A computer controls a mechanism that pumps dyed liquid and air bubbles through the woven tubing on a continuous loop, effectively transforming the textile into a kind of display screen made from glowing pixels. Also on view in our Stair-gazing space is a new iteration of Samantha Bittman’s site-specific project, Interlace—a digitally printed wallpaper created in Photoshop. This colorful and greatly enlarged pixilated graphic is based on weaving drafts and underscores the influence of weaving on the development of the first computers.

A catalogue illustrating work by each artist will be available and includes essays by Sarah Archer and Sarah Mills and an introduction by Art Center Curator Mary Birmingham. Major funding for this exhibition and publication has been provided by The Coby Foundation.

Nadia Haji Omar, ٥ (khamsa), 2019, acrylic and dye on canvas, 24 x 24 inches, courtesy of the artist and Kristen Lorello, NY, Photo credit: Philippi Photographi

The work of Rhode Island-based artist Nadia Haji Omar will be on view concurrently in the Mitzi and Warren Eisenberg Gallery & the Marité and Joe Robinson Strolling Gallery I. Haji Omar’s intricate paintings and works on paper examine the intersection of language and abstraction. Her method of mark making is similar to sewing and weaving, as it relies on the accumulation of repeated marks—mostly dots and dashes—to create color and form. A series of seven paintings titled Ascension will be on view in the Eisenberg Gallery. Inspired by the seven layers of heaven as described in the religion of Islam, each painting incorporates an Arabic numeral and represents a different aspect of heaven. Natural Selection, a series of related drawings will be on view in the Robinson Strolling Gallery I.

These exhibitions will run through February 9, 2020.

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